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Geoffrey Holder (Finding Aid)
1930 -
Favorite Color: Blue, red, orange
Favorite Food: Various types
Favorite Vacation Spot: Paris; Haiti; Mexico
Interview Length: 109 minutes
Interview Date(s): April 16, 2003
Interview Location(s): New York, New York
Abstract
Geoffrey Holder opens this segment with tales of his precocious childhood. Holder describes his life in Trinidad in the 1930s and 1940s as a budding painter and dancer whose artistic endeavors were fully encouraged by his parents. Geoffrey Holder details his transition from childhood to young adulthood and the great life changes after he took over his brother's dance troupe. A successful performance in the Puerto Rican Dance Festival led to Holder's introduction to famed choreographer, Agnes de Mille. That meeting eventually led to Holder making his debut on the stage at the Metropolitan Opera Ballet. He also met his future wife, Carmen DeLavallade. Geoffrey Holder recalls several highlights from his professional career. He made his debut as a director for the stage version of 'The Wiz' in 1975. He ended up winning two Tony Awards, best director and best costume design for the Broadway play. Holder also shares his personal philosophy on the significance of art and cultural expression. Geoffrey Holder wraps up the interview with his thoughts on child rearing and the wonderful black performers who worked with and mentored him, such as Josephine Baker, Pearl Bailey and Eartha Kitt. Holder doesn't focus on how he will be remembered, saying "I don't care. I don't care as long as they spell my name correctly!"
28 Stories (See Ordered Story Set)
- Slating of Geoffrey Holder interview
- Geoffrey Holder's favorites
- Geoffrey Holder recalls his family background
- Geoffrey Holder relates how his father and mother met
- Geoffrey Holder describes his parents and siblings
- Geoffrey Holder shares childhood memories
- Geoffrey Holder illustrates the importance of arts to a child's learning process
- Geoffrey Holder recounts his high school experiences
- Geoffrey Holder remembers how he started painting
- Geoffrey Holder recalls his first dance experience
- Geoffrey Holder details the differences in colonial legacy in the Caribbean
- Geoffrey Holder explains the crucial influence of folklore on art
- Geoffrey Holder recounts taking over his brother's dance company
- Geoffrey Holder relates how he broke into the New York theater scene
- Geoffrey Holder illustrates the value of acquiring knowledge
- Geoffrey Holder remembers his production of 'The Wiz'
- Geoffrey Holder recalls his Broadway production of 'The Wiz'
- Geoffrey Holder explains the role of the costume designer
- Geoffrey Holder recounts how he lost his stammer
- Geoffrey Holder reflects on his singing
- Geoffrey Holder shares his philosophy on combatting fear
- Geoffrey Holder expounds on the significance of art and cultural expression
- Geoffrey Holder discusses the value of learning black history before slavery
- Geoffrey Holder remembers inspirational performers
- Geoffrey Holder shares insights on parenting
- Geoffrey Holder discusses his recent projects
- Geoffrey Holder discusses his TV and film career
- Geoffrey Holder considers his legacy